Become Known For A Niche You Own: Why Legendary Writers Use Languaging To Design New & Different Categories (Part 1)
Languaging is about creating distinctions between old and new, same and different.
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Dear Friend, Subscriber, and fellow Category Pirate,
Category Design is a game of thinking.
You are responsible for changing the way a reader, customer, consumer, or user âthinks.â And you are successful when youâve moved their thinking from the old way to the new and different way you are educating them about.Â
The way you do this is with words.Â
Which means if you canât write what youâre thinking, then you arenât thinking clearly. And if you arenât thinking clearly, then how are you going to change the way the reader, customer, consumer, or user thinks?
In previous letters, we have written about the different levers you can push and pull to differentiate your business (and even how to differentiate yourself in your career). But how you get customers to understand what makes you different, how you get investors to understand why youâre moving from one profit model to another (like Adobe did), and how you get employees, team members, and fellow executives to align their efforts (aka: align their *thinking*) is by using very specific, very intentional language. (At first blush, itâs hard to be against something called, âThe Clean Air Act.â Thatâs on purpose.)
The strategic use of language to change thinking is called Languaging.
We believe this is one of the most under-discussed, unexamined aspects of business & marketing today.
When President Biden orders U.S. immigration enforcement agencies to change how they talk about immigrants and change terms like âIllegal Alienâ to âUndocumented Noncitizen,â thatâs languaging.
When the dairy industry spends 100 years educating the general public that milk comes from cows, and then someone comes along and introduces âAlmond Milkâ (or Oat Milk, or Flax Milk), thatâs languaging.
When the whole world understands what an acoustic guitar is, and Les Paul comes along and starts wailing away on an âElectric Guitar,â thatâs languaging.
Languaging is about creating distinctions between old and new, same and different.Â
Legendary Category Designers are languaging masters.
A demarcation point in language creates a demarcation point in thinking, creates a demarcation point in action, creates a demarcation point in outcome.Â
When Henry Ford called the first vehicle a âhorseless carriage,â he was using language to get the customer to STOP, listen, and immediately understand the FROM-TO: the way the world was to the new and different way he wanted it to be. Had he called the first vehicle a âfaster horse,â that would have been lazy languaging (and lazy thinking).Â
Sara Blakely insisted that Spanx was not just a âproduct,â it was an âinvention.â Today Britannica lists her as an âAmerican Inventor.â Thatâs not an accident. Itâs the strategic use of language.
And it all starts with your POV.
Your Point Of View Of The Category Is What âHooksâ The Customer
The language you use reflects your Point Of View.Â
And your Point Of View frames a new problem and a new solution in a provocative way.
If marketing is your ability to evangelize a new category, and branding is how well you can associate your product with the benefits of the category, then languaging is how you market the category, and your brand within that category, based on your companyâs unwavering, unquestionably unique point of view.Â
You can tell when a company doesnât have a unique POV of their category when their âmessagesâ conflict with one another, have unclarified and âweakâ aims, or worst of all, have no clear aim at all. Today theyâre evangelizing one category, tomorrow theyâre evangelizing a different category (all the while thinking they are âtrying out different marketing & messaging phrasesâ).Â
For example, a cereal company might run one advertisement saying, âThe healthiest way to start the day!â The very next campaign, however, they might change the message to, âA healthy breakfast alternative.â Whatâs the cereal companyâs unwavering POV of the category?Â
Is it that breakfast is the best way to start the dayâand theyâre the solution?Â
Or is it that breakfast isnât the best way to start the dayâand theyâre the solution?Â
Frame it, Name it, and Claim it
Companies with unclarified, undefined POVs eventually come to the conclusion that they have a problem (sales are down). But they end up stating the root of their problem in the way they ask for help: âWe need to work on our messaging.â More times than not, what they mean when they say âmessagingâ isnât actually messagingâbut category point of view.Â
As a side note, most messaging is meaningless, context free, point of view-less, forgettable garbage. âExperience amazing,â âImagination at work,â âThatâs what I like,â âRun simple,â are taglines for who? Donât know? Neither does anyone else. Lexus. GE. Pepsi. SAP.Â
The reason this clarity is so important, and why we want to draw lines in the sand between category point of view, languaging, and messaging, is because improving a companyâs messaging in absence of a true north category POV is a (and we use this word very intentionally) âmeaningless,â money burning project.Â
A POV is, âWhat do we stand for?â
Languaging is, âHow do we powerfully communicate our POV?âÂ
And messaging is, âWhat should we say?âÂ
Well, how can you possibly know what to say unless you know what you stand for? What difference do you make in the world? What problem do you solve?Â
Your point of view should be well defined and chiseled into the companyâs tablets, with intentionally chosen words that reflect the companyâs POV, so the true science of messaging can begin: a never-ending experiment of swapping in and out of words, phrases, promotions, testimonials, and other âmessagesâ in order to figure out which are (another very intention word here) resonating and most effectively evangelizing your category POV.
And it all starts with how you choose to Frame, Name, and Claim the problem.